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In fact, many didn't. Drugs, decadence, and disease took their toll.

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It's a great chronicle of a lost time and place and a loving but honest look at the genius and the folly that was Neil Bogart. View all 3 comments. May 24, Todd rated it liked it. A peek behind the scenes, not only at Casablanca, but at the wheeling dealing, politics, and shady interactions of the 70's music industry as a whole. Harris does and excellent job of laying out the development and rise of Casablanca Records in great detail. He also sprinkles in a healthy dose of sensational and alarming anecdotes. The company's fall and aftermath were left to more of a quick run through, which could have benefited from more exploration.


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However, the book's singular flaw sto A peek behind the scenes, not only at Casablanca, but at the wheeling dealing, politics, and shady interactions of the 70's music industry as a whole. However, the book's singular flaw stood, not in what was missing, but what should have been left out.

And Party Every Day: The Inside Story of Casablanca Records

Harris reveals real names and identities for practically every individual who passed through his professional life; commendable, that he chose to be so candid and fact driven in his approach, but a bit confusing for the reader to follow. At times, the names are dropped in such volume one almost needs a roster or score card to keep track.

In a case of "sometimes it's what's left out that's more important", the overly extensive listing of names diluted the story and took something away from the book's "big picture" focus. Jun 26, Sandi rated it liked it Shelves: read , movies-music-television. The author, who was one of the founders of Casablanca Records, gives his spin on the company's meteoric rise and almost as quick downfall. Sep 11, Julie Barrett rated it really liked it Shelves: music-bios-memoirs , finished I love reading memoirs about the music industry but most of them are told from the viewpoint of the artist, not the from the business side.

I really didn't know a lot about the inner workings of a record company until reading this memoir. I knew that, from the musician's perspective, the record company shortchanges artists every chance they get and that the companies take advantage of the naivete of young musicians to write confusing contracts that hoodwink the artists into giving up money, powe I love reading memoirs about the music industry but most of them are told from the viewpoint of the artist, not the from the business side. I knew that, from the musician's perspective, the record company shortchanges artists every chance they get and that the companies take advantage of the naivete of young musicians to write confusing contracts that hoodwink the artists into giving up money, power, and ownership of the music.

Reading this account pretty much confirms all of that as being true. He worked in a lot of different capacities so was able to write about many different sides of the company. In fact, he gives too much detailed information about the daily workings of the company so the reader gets bogged down in minutia. I kept wishing there was some sort of flow chart or illustrations I could refer too. So many departments, so many employees! It's too much. It would have been better if he consolidated some of that information. I also wished he'd gone into more details about the debauchery - yes, I'm shallow like that.

Oh, Harris did sprinkle little asides throughout the book but he'd just write one or two sentences about an occasion and then boom - move onto the next topic. All that partying didn't cause any fall out for anyone? The casual misogyny of the era was briefly touched on. Hardy har har! Or the guy in the office who loved to regale everyone with stories of his orgies.

The overspending the company did was insane. Couldn't those pesky musicians see that the company "had" to spend all this money in order to be perceived as successful? I'd be pissed reading this memoir if I'd been one of their signed artists. But since I'm not I found it fascinating and engrossing.

The offers they made when hiring someone! Give them a Mercedes, give them the down payment for a house in LA, double their current salary, give them an unlimited expense account, workers on business trips always flew first class, etc. DANG, give me a job! The unlimited expense account was really something. Harris talks about how they even managed to charge their ludes and coke on their expense accounts. The book really captures a moment in time that won't come again. Very interesting read. Also, I sure hope the producers of the HBO show Vinyl have paid Harris a handsome sum for using so many of his stories in their scripts.

I can easily think of a dozen stories from the book showing up slightly altered in the tv show. Oh, and recognizing events that later showed up in the movie Spinal Tap was entertaining too. It was a flashy, over-the-top time in the music world! Jun 02, Christopher Long rated it it was amazing.

The liner notes found inside the cover of "And Party Every Day" boast that, "Casablanca Records was not a product of the s -- it was the s.

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However, it is fairly accurate. Author Larry Harris was Casablanca President, Neil Bogart's right hand man at the label a from its inception in until his timely exit in -- just as the "fat lady" was The liner notes found inside the cover of "And Party Every Day" boast that, "Casablanca Records was not a product of the s -- it was the s. Author Larry Harris was Casablanca President, Neil Bogart's right hand man at the label a from its inception in until his timely exit in -- just as the "fat lady" was stepping up to the mic.

Harris's mantra throughout the book's plus pages is that "perception is reality. And by the late s it was. Despite the allure of the sex, the drugs, the top-name acts, and Bogart's chutzpah, Harris is the nucleus of this bona fide page-turner. His first-person accounts of Casablanca's meteoric rise from obscurity into the industry's stratosphere, and its inevitable, yet heartbreaking, crash are riveting.

In fact, Harris's insider stories are so compelling, and he, himself, such a fascinating character, the reader may truly be left wanting more. Nov 17, Debbie Johnsen rated it really liked it. As someone who majored in Music Business in college, I love to read stories of the business in the 60s and 70s. A large part of the story revolves around Neil Bogart, a fearless kid from Brooklyn with an uncanny ability to find artists with the potential for hits most of the time. He is credited with inventing the long-play 12" singl As someone who majored in Music Business in college, I love to read stories of the business in the 60s and 70s.


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He is credited with inventing the long-play 12" single that became so prevalent in Disco clubs and bringing KISS to the masses. He also built an empire that included mutiple record labels and major film production companies. Not exactly easy, and he does all of it before he's in his late 30s. As with most stories of the music business in those days, there are con-men, criminals, shady lawyers and accountants - and lots of parties to be had.

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It's a crazy ride, and one that would be difficult to recreate after that decade. A story of a certain place and time, the people who took risks, and took full advantage of living in the decadent moment.


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Dec 30, Nikki rated it really liked it Shelves: music. This is written by a former top executive at Casablanca Records, which was an eccentrically operated medium sized record label in the s. I had never heard of Casablanca when this book was recommended to me, but have come to learn they were a significant part of music history. The first 20 pages came across as too minor detail oriented, but the author offers a lot of insight into the music business in the 70s, unique music culture in the 70s, and gives an inside story on the birth and popul This is written by a former top executive at Casablanca Records, which was an eccentrically operated medium sized record label in the s.

Stonebolt-1978 Promo Film Casablanca Records

The first 20 pages came across as too minor detail oriented, but the author offers a lot of insight into the music business in the 70s, unique music culture in the 70s, and gives an inside story on the birth and popularity of disco. I'm not a fan of disco, or KISS for that matter the label's most prominent rock artist , and I only like maybe 5 songs of the thousands and thousands that Casablanca's artists released. Their artists were often 70s-flamboyant, or tinsel-artists. Some of their biggest artist's music was dependent on gimmicks they were also responsible for the Village People but that wasn't an obstacle to enjoying this book.

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Overall it was illuminating on many aspects in music history. Having worked on both sides in radio and for a couple of record companies not Casablanca during that time, I thoroughly enjoyed reading this book and remembered similar experiences. I relived so many moments from that time and recognized several of the names mentioned, including an old boss.

http://nttsystem.xsrv.jp/libraries/82/deru-handy-spionage-ueber.php It was a really great time to be in the music industry. Apr 09, pianogal rated it it was ok Shelves: reads , non-fiction , music. I don't know, there was just something about this one I didn't like. Maybe after reading all 4 Kiss bios, I was just over all the stupid decadence and sex and drugs. Blah blah blah. So glad this was not my life in the music industry. Dec 06, Beth Shorten rated it it was ok. Some Sex, lots of drugs and Rock N Roll and lots of disco too Jun 28, Kamy rated it really liked it.

Not great literature but a great look into one of America's most famous record labels during its peak popularity.